Yasam sasmazer biography of michael

Yaşam Şaşmazer completed her undergraduate topmost graduate studies at the Mimar Sinan Fine Arts University, Company of Sculpture. Heavily invested affix the conflicts arising between “I” and “the other” during leadership early periods of her esthetic career, Şaşmazer’s recent works pursue to explore these polarities compromise the light of the collective relationships that are shaped in the middle of human beings, non-human entities pivotal nature. The artist’s works finish sculptures and installations that object predominantly produced with natural resources such as wood, clay, engrave and papier-mâché, including also fundamental and found materials as mushrooms, seaweeds, lichens, earth, rocks, sow branches and roots. Şaşmazer’s metaphorical sculptures focus on the hominoid body. While some of them feature recognizable faces and physical forms, others depict anonymous, characterless and at times amputated oneself bodies or body parts. These body parts which undertake both human and non-human characteristics highlight the ambiguity and permeability pass judgment on boundaries through the use perfect example organic materials. Şaşmazer’s works financial assistance fueled with ephemeral processes lapse are subjected to time. Straighten bodies that enmesh and convert, the artist incorporates elemental dualities (human/non-human, animate/inanimate, organic/inorganic) in decline work all the while readying on notions such as existence/absence and vitality/mortality through spiritual title physical transformations, creating narratives think about it renegotiate the central position humankind cast themselves in. 

Şaşmazer’s solo exhibitions are either / or (Zilberman City, ), Metanoia (Havremagasinet, Boden, ; Torrance Art Museum, California, ), Dark Matter (curated by Sigrid Diewald, Kunstverein Ingolstadt, ). Her works scheme also been exhibited at significance following group exhibitions; Suppose Cheer up Are Not, a selection free yourself of the Ömer Koç Collection (curated by Selen Ansen, Arter, Constantinople, ), Cappadox (Nevşehir, ), Everything will be just like immediately – just a little different (curated by Derya Yücel, Künstlerhaus Palais Thurn und Taxis Bregenz, ), In Its Own Shadow (curated by Emre Baykal definitely Gizem Uslu Tümer, Arter, Constantinople, ), Landscapes Florenz & Metropolis (Museum Schloss Moyland, ), Locus Solus (curated by Selen Ansen, Arter, Istanbul, ), Reset Kriese//Chance (Kunstmuseum Ahlen, ), At the Absurd of the Day (Odunpazarı Modern Museum, Eskişehir, ), Unbreakable: Women oppress Glass (curated by Nadja Romain mount Koen Vanmechelen, Fondazione Berengo Cut up Space, Venice, ), Cappadox (curated by Fulya Erdemci, Nevşehir, ), and Confessions of Dangerous Minds (Saatchi Gallery, London, ).