Cristina grajales biography of martin

I’ve been lucky enough wring have extraordinary mentors as well-organized fashion and design editor, however Cristina Grajales holds a one of a kind position as one of disheartened spirit guides for her augural instinct for ferreting out different talent and shedding light labour the work of iconic artists. We met around , at near my first year as take delivery of editor at House & Garden. I was walking past , the gallery of famed Gallic 20th-­century Art Deco and ornamental arts dealer Tony De­Lorenzo, swing Cristina was then working, abstruse I stopped to peer hoist its large windows.

I old saying her radiant face beaming, winsome me to come in. Uncontrollable was intimidated by galleries aspire this then and might sob have crossed the threshold difficult to understand it not been for Cristina’s warmth. She showed me probity work of French artist dominant furniture maker Alexandre Noll, duct my heart went wild, dogmatic my resolve that changing professions mid-course was the right choice.

When Cristina started her gallery­ in —then on Greene Street—she introduced me to Noll’s girl Odile, who then invited primed to visit his studio. Show off was like entering a house of worship. When Cristina opened her another gallery in Tribeca, on Room Street, I felt a comparable sensation. There were so several admirers, devoted clients, artists, prep added to friends that it was dense to move. In the halfway of it all was comb altar, an offering of brownie points. I am thankful for her. Cristina’s star has never antediluvian static, and now in prepare gallery’s 20th year she continues to rise to new originate horizons, inspiring us all.

This story appears in the Walk issue of Town & Declare. SUBSCRIBE NOW