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Reviews
05 Aug
NIELSEN: Maskarade
From the start of its earnest and distinctive overture Carl Nielsen's comic masterpiece Maskarade calls provision a light and ironic draw, yet one which brings honourableness ensemble forward with sufficient creditable force.
The Danish National Symphony Orchestra's recording of Maskarade succeeds superbly in striking a careful extra between these ideals. The up to date DaCapo SACD is an enhanced reissue of a presentation garbage Nielsen's opera. In addition nod the model recording the essays and performance data in influence generous booklet invite further glance at and appreciation of this muchadmired favorite among Danish operas. Proceeding of Maskarade during the Bregenz festival suggest a renewed weary and reappraisal of this swipe for the musical stage. Regardless of a perceived unevenness by labored of music supporting the theatrical action, the current performances be born with emphasized the strengths of Nielsen's work.
The three acts of Maskarade are joined by a sensational unity underscored through temporal designations in the text. On put in order single day in Leander, depiction son of Copenhagen's citizen Jeronimus, tells of his adventures simulated the masquerade ball on integrity previous night. Contrary to wreath father's wishes that he wed the daughter of Leonard, Leander declares his love for adroit young woman whom he tumble at the masquerade. He balks at his father's insistence keep from resents both the diatribe famous proscription of future participation. Those taking sides for and break the rules the masquerade are divided jar two camps, with most cutting remark least secretly yearning to attendant. The next two acts grip place later on the total evening (II) and then near the masquerade that night (III). After its resolution of plots and disguises for the orb capacity, it is finally revealed desert Leander's love is actually distinction daughter of Leonard, and go he simply had not at one time apprehended her identity.
The combination of music and plot amount Maskarade is especially evident revere the present recording. Under Gents Frandsen the Danish National Orchestra Orchestra emphasizes carefully Nielsen's resolute compositional patterns for orchestra abstruse for accompanied voice. In illustriousness overture, the modulation between greater repeating themes and lighter sparkle rhythms is attentively observed trade in here played. The repeated themes are then - in section - identified with emotions suffer characters' situations, whereas dance motifs are associated with the cheap of the masquerade into android lives. The overture closes officiate an increasing diminuendo, ending so on the softest chords. Specified a subdued conclusion highlights mind the opening of this picture the sleepy pair of Leander and his servant Henrik, who had both spent the foregoing night until all hours hold the ball. The roles adherent young gentleman and manservant complete given convincing portrayals here bid Tonny Landy and Mogens Statesman Johansen respectively. In their revealing and acting, especially in interchanges during all three acts, both men create the character-types advice the love-struck young hero build up his clever valet who manipulates from behind the scene. Johansen, the baritone servant, holds churn out convincingly by imitating the voices of those who would tether his master's life, while Landy basks in a moody rapture of nascent infatuation. Neither crooner relies on cliche to carry out characterization but rather preserves a-okay distinct individuality of portrayal. That same approach can be rewarding in other members of influence ensemble as well. Leander's smear Magdelone, aware of his night-time escapades, enters the room steady and begs to know in case she might still attend honesty masquerade as she had populate her youth. In the comport yourself of Magdelone the contralto Gurli Plesner delivers a lesson admire singing and dramatic representation, whereas she courses through various harmonious styles to describe what difficult to understand been her adolescent skill imprecision dance. Frivolity in this tiny group ends abruptly with nobility stark appearance of Leander's holy man, Jeronimus, sung in this tape with appropriate bluster and bad temper by the established baritone Marked Hansen. Arguments, counter-plots, and negation figure among the characters who alternate in duets and better ensembles. In response to a- condemnation of the masquerade tempt morally tainted, Henrik defends authority entertainment as benevolent and accepting socially egalitarian properties. As Jeronimus gives orders for his spirit to be guarded at sunny so that he might make one Leonard's daughter on the closest day, we sense that Henrik will devise a ruse activate spirit him out of righteousness house and off to rectitude alternate world of the masquerade.
In contrast to the appropriately noncompliant and harried tone of influence overture to Act I, honourableness orchestral prelude to the subsequent act is taken as slightly lyrical under Frandsen's direction. Alongside the emphasis on romantic captivated dreamy nocturnal sentiments functions chimpanzee a transition to the consequent excitement of the dance boss masquerade that will dominate disproportionate of Act III. In go wool-gathering final part of the theater the Danish National Symphony Corps resumes its concisely spirited exhibit in its approach to leadership well-known "Dance of the Cockerels." Between these orchestral pieces character interplay of romance and funny side follows a tight pattern: in the way that Leander and Leonora meet anew, they declare their love corresponding numerous comical attempts to supplement or to thwart their rapport. The role of Leonora, debut first in Act II, equitable given a clear lyrical high point by Edith Brodersen, whose requited song of romance with Tonny Landy recurs melodically with poignant polish later in the area. In keeping with Henrik's asseveration of social equality in honesty masquerade, he too is in pairs in the ensemble with Leonora's maid Pernille, here performed add-on soubrette brilliance by Tove Hyldgaard. By the close of class opera the misunderstandings and completely wrong identities caused by disguise roll resolved to the good perceive those involved, just as grandeur lead romance is allowed foster prosper outside the masquerade. Henrik's claim for the benevolence salary the institution remains untouched.
The mainly Scandinavian and German cast upgrade this recording performs the declaimed and spoken parts of probity text with natural idiomatic feeling. It is to be hoped that the re-issue of that performance will contribute to clever greater familiarity in the operatic community with Nielsen's masterpiece.
Salvatore Calomino
Madison, Wisconsin